G1 Frequency in Hz
G1 is 49.00 Hz in twelve tone equal temperament with A4 at the standard 440 Hz. It is MIDI note 31, piano key 11 of 88, and its wavelength in room-temperature air is about 7.00 m.
G1 sits in the deep bass, the register of a double bass, tuba or pedal organ. Every number on this page is calculated from one formula rather than copied from a table, so the values here agree exactly with the full note frequency chart and with what the chromatic tuner reads back from your microphone.
How is the frequency of G1 calculated?
Twelve tone equal temperament divides the octave into twelve equal ratios. Each semitone multiplies the frequency by the twelfth root of two, about 1.059463, so twelve semitones multiply it by exactly two and you land one octave higher. Fix one note as the anchor and the rest follow. The anchor is A4, and the modern standard puts it at 440 Hz, which is what ISO 16 specifies as the standard tuning frequency.
Written as a formula, the frequency of MIDI note m is 440 x 2^((m - 69) / 12), because A4 is MIDI note 69. For G1 that is 440 x 2^((31 - 69) / 12) = 440 x 2^(-3.1667) = 49.00 Hz. That is 38 semitones below the reference.
What is G1 at other tuning references?
A4 at 440 Hz is the standard, not a law. Historical pitch was lower, and plenty of modern ensembles tune a little higher because a raised pitch is often described as sounding brighter in a large hall. Rebasing the same formula gives these values for G1.
| Reference A4 | G1 in Hz | Difference | Context |
|---|---|---|---|
| 415 Hz | 46.22 | -2.78 Hz | Baroque pitch, roughly a semitone below modern A |
| 432 Hz | 48.11 | -0.89 Hz | Alternative tuning used by some players, not a standard |
| 435 Hz | 48.44 | -0.56 Hz | Diapason normal, the 19th century French standard |
| 440 Hz | 49.00 | reference | Modern concert pitch, the ISO 16 standard |
| 442 Hz | 49.22 | +0.22 Hz | Common in many central European orchestras |
| 443 Hz | 49.33 | +0.33 Hz | Used by some ensembles that want a brighter sound |
Changing the reference multiplies every note by the same ratio, so intervals stay identical and only the absolute pitch moves.
What is G1 in every octave?
Moving up an octave doubles the frequency and moving down halves it, which is the one relationship in tuning that needs no calculator. Here is G across the full chart range.
| Note | Hz | MIDI | Piano key |
|---|---|---|---|
| G0 | 24.50 | 19 | - |
| G1 | 49.00 | 31 | 11 |
| G2 | 98.00 | 43 | 23 |
| G3 | 196.00 | 55 | 35 |
| G4 | 392.00 | 67 | 47 |
| G5 | 783.99 | 79 | 59 |
| G6 | 1568.0 | 91 | 71 |
| G7 | 3136.0 | 103 | 83 |
| G8 | 6271.9 | 115 | - |
What are the harmonics of G1?
A real instrument playing G1 does not produce 49.00 Hz alone. It produces a fundamental plus a series of whole-number multiples, and the balance between them is what makes a violin sound different from a flute on the same note. The harmonics land close to familiar notes but not exactly on them, because the harmonic series is built on simple ratios while equal temperament is not.
| Harmonic | Hz | Nearest note | Cents off |
|---|---|---|---|
| 1 (fundamental) | 49.00 | G1 | 0 |
| 2 | 98.00 | G2 | 0 |
| 3 | 147.00 | D3 | +2 |
| 4 | 196.00 | G3 | 0 |
| 5 | 245.00 | B3 | -14 |
| 6 | 294.00 | D4 | +2 |
| 7 | 343.00 | F4 | -31 |
| 8 | 392.00 | G4 | 0 |
The seventh harmonic is the famous outlier: it lands roughly 31 cents flat of the nearest equal-tempered note, which is why it sounds bluesy rather than in tune.
How do I tune to G1?
Play the note and watch the cents readout rather than the hertz readout, because cents are proportional and hertz are not. A tuner rounds to the nearest note, so anything from 47.60 Hz to 50.44 Hz is read as G1: that is the band fifty cents either side. Most players aim to land inside five cents, which for G1 is roughly 48.86 Hz to 49.14 Hz.
Use the tone generator to play 49.00 Hz as a reference and match it by ear, or open the chromatic tuner and let your microphone do the measuring. Its neighbours are F#1 at 46.25 Hz below and G#1 at 51.91 Hz above, one semitone in each direction.
What intervals are built on G1?
| Interval above G1 | Note | Hz | Ratio |
|---|---|---|---|
| Minor third | A#1 | 58.27 | 1.1892 |
| Major third | B1 | 61.74 | 1.2599 |
| Perfect fourth | C2 | 65.41 | 1.3348 |
| Perfect fifth | D2 | 73.42 | 1.4983 |
| Octave | G2 | 98.00 | 2.0000 |
Ratios are the equal-tempered values. Pure just intonation would put the perfect fifth at exactly 1.5 and the major third at 1.25, which is why equal temperament thirds sound slightly wide.
What is the wavelength of G1?
Sound travels at roughly 343 m/s in dry air at 20 degrees Celsius, so a 49.00 Hz wave is about 7.000 m long, or 700.0 cm. That matters for room acoustics: a wavelength that fits neatly between two parallel walls builds a standing wave, and it is also why a pipe or string producing G1 has the physical length it does. The speed of sound changes with temperature, so treat the figure as a good approximation rather than a constant.
Frequently asked questions
What is the frequency of G1 in Hz?
G1 is 49.00 Hz in twelve tone equal temperament with A4 set to the standard 440 Hz. The value comes from the formula 440 x 2^((m - 69) / 12), where m is the MIDI note number, which is 31 for G1.
What MIDI note number is G1?
G1 is MIDI note 31 when middle C is written C4, the scientific pitch notation used on this site. Software that follows the Yamaha convention labels the same MIDI number G0, one octave lower in name only. The pitch you hear is identical either way.
How far apart are G1 and the note a semitone above it?
One semitone up from G1 is 51.91 Hz, a difference of 2.91 Hz. Every semitone is the same ratio, the twelfth root of two or about 1.059463, so the gap in hertz grows as you move higher up the keyboard.
What is G1 at A4 = 442 Hz?
Rebasing the same formula on 442 Hz gives 49.22 Hz for G1, about 0.22 Hz higher than the 440 Hz value. Raising the reference shifts every note by the identical ratio, roughly 7.85 cents from 440 to 442.
Where is G1 on a piano?
G1 is key 11 of the 88 keys, counting from A0 at the far left. It is a white key and sits in the deep bass, the register of a double bass, tuba or pedal organ.