Drop B Tuning on 6-string guitar
Drop B tuning is B1 F#2 B2 E3 G#3 C#4, written BF#BEG#C#. Drop C moved down one more semitone, so the 6th string sits on B1, a perfect fourth below standard E2.
| String | Note | Frequency (Hz) | MIDI |
|---|---|---|---|
| 6th (lowest) | B1 | 61.74 | 35 |
| 5th | F#2 | 92.50 | 42 |
| 4th | B2 | 123.47 | 47 |
| 3rd | E3 | 164.81 | 52 |
| 2nd | G#3 | 207.65 | 56 |
| 1st (highest) | C#4 | 277.18 | 61 |
Every frequency is computed from the MIDI number, not typed in. Each one links to its own reference page.
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Why guitarists use Drop B tuning
B1 is the lowest pitch a 6-string guitar reaches before the strings stop speaking cleanly at ordinary gauges, which is why this tuning marks the practical floor for a six string and the point where players start considering a 7-string or a baritone scale instead.
Where you will hear it: djent, deathcore, modern metal. That list is deliberately limited to genres and playing traditions. Attributing a tuning to specific songs or players is the kind of claim that needs a source, and this page does not make claims it cannot back up.
Drop B compared with standard EADGBE tuning
This is the table that tells you how far to turn each peg, in semitones and in hertz. A negative semitone value means the string goes down.
| String | Standard | Standard (Hz) | Drop B | Drop B (Hz) | Change |
|---|---|---|---|---|---|
| 6th (lowest) | E2 | 82.41 | B1 | 61.74 | -5 semitones (-20.67 Hz) |
| 5th | A2 | 110.00 | F#2 | 92.50 | -3 semitones (-17.50 Hz) |
| 4th | D3 | 146.83 | B2 | 123.47 | -3 semitones (-23.36 Hz) |
| 3rd | G3 | 196.00 | E3 | 164.81 | -3 semitones (-31.18 Hz) |
| 2nd | B3 | 246.94 | G#3 | 207.65 | -3 semitones (-39.29 Hz) |
| 1st (highest) | E4 | 329.63 | C#4 | 277.18 | -3 semitones (-52.44 Hz) |
Notice that equal semitone steps are not equal hertz steps: the same whole step is worth about 9 Hz down at the bottom string and far more at the top. That is why tuners report cents, which are proportional, rather than hertz.
How to tune to Drop B, string by string
- Play the 6th (lowest) open and adjust until the tuner reads B1 at 61.74 Hz. Aim to land inside five cents.
- Play the 5th open and adjust until the tuner reads F#2 at 92.50 Hz. Aim to land inside five cents.
- Play the 4th open and adjust until the tuner reads B2 at 123.47 Hz. Aim to land inside five cents.
- Play the 3rd open and adjust until the tuner reads E3 at 164.81 Hz. Aim to land inside five cents.
- Play the 2nd open and adjust until the tuner reads G#3 at 207.65 Hz. Aim to land inside five cents.
- Play the 1st (highest) open and adjust until the tuner reads C#4 at 277.18 Hz. Aim to land inside five cents.
Retune in two passes. Changing the tension on one string changes the pull on the neck, so the strings you set first will have drifted slightly by the time you finish the last one. That effect is larger the further the tuning sits from standard, so a tuning that moves four or more strings almost always needs a third pass.
Frequently asked questions
What notes is Drop B tuning on a 6-string guitar?
Drop B is B1, F#2, B2, E3, G#3, C#4, written BF#BEG#C#. Drop C moved down one more semitone, so the 6th string sits on B1, a perfect fourth below standard E2.
What are the frequencies of Drop B tuning?
B1 is 61.74 Hz, F#2 is 92.50 Hz, B2 is 123.47 Hz, E3 is 164.81 Hz, G#3 is 207.65 Hz, C#4 is 277.18 Hz, all in twelve tone equal temperament with A4 at 440 Hz.
How many strings change compared to standard tuning?
6 of 6. the 6th (lowest) goes from E2 to B1 (down 5 semitones), the 5th goes from A2 to F#2 (down 3 semitones), the 4th goes from D3 to B2 (down 3 semitones), the 3rd goes from G3 to E3 (down 3 semitones), the 2nd goes from B3 to G#3 (down 3 semitones), the 1st (highest) goes from E4 to C#4 (down 3 semitones).
What is the lowest note in Drop B tuning?
B1 at 61.74 Hz, MIDI note 35. Low notes take longer for a pitch detector to lock onto, so play the string firmly and let it ring before trusting the cents reading.
Other 6-string guitar tunings
More tuning references
Frequencies on this page are computed at build time from twelve tone equal temperament with A4 = 440 Hz, using the twelfth root of two (about 1.059463) per semitone. Nothing is typed in by hand. See the full method and sources. Maintained by FusionStudios. Last reviewed: .